Reference · Solfeggio and music theory
A cadence is a harmonic pattern that closes a phrase or points it forward. Even a simple chord sequence can feel like a question and an answer.
The circle of fifths maps relationships between keys and the order in which sharps and flats appear. Neighboring positions are a fifth apart.
A diatonic interval is counted between scale degrees within a key. Its number comes from the number of letter names included.
Melodic dictation trains you to move a heard sequence into your voice, hand or notation. Start with short phrases in a familiar key.
A musical phrase resembles a meaningful sentence: it has motion, a high point and a place to pause. Several phrases can form a period.
A seventh chord adds another third above a triad. It therefore contains four different pitch classes rather than three.
Legato, staccato and pedal change a phrase character. Secure clear rhythm without pedal before adding color.
Rhythmic dictation teaches durations and rests without relying on pitch. Start with one measure.
When sight-reading, do not stop at every mistake. Look slightly ahead and keep the pulse.
Syncopation places an accent or note onset on a weak beat or between beats. The rhythm feels intentionally displaced.
An inversion keeps the same notes but changes the lowest note. This helps connect chords smoothly.
In an inversion, move the lower note up an octave or the upper note down. The interval numbers add up to nine.
First compare direction and distance instead of guessing the name instantly. Singing helps fix the sensation.
Minor can change its sixth and seventh degrees depending on the musical purpose. Compare the forms by ear.
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