Reference · Solfeggio and music theory

Solfeggio

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♪Basic cadencesChords♪The circle of fifthsKeys and tonalities♪Diatonic intervalsIntervals♪Melodic dictationSolfeggio and ear training♪Phrases and periodsForms and practice♪Seventh chordsChords♪Sharps, flats and naturalsNotation basics♪Articulation and pedalForms and practice♪Chords and arpeggiosChords♪How to structure piano practiceForms and practice♪Dotted notesRhythm and meter♪First ear-training exercisesSolfeggio and ear training♪Ledger linesNotation basics♪Rhythmic dictationSolfeggio and ear training♪A sight-reading routineForms and practice♪Solfeggio and scale syllablesSolfeggio and ear training♪Staff lines and spacesNotation basics♪Syncopation basicsRhythm and meter♪Whole steps and half stepsKeys and tonalities♪Arpeggio dan akor terurai: panduan praktisChords♪Chord inversionsChords♪Interval inversionsIntervals♪Recognizing intervals by earIntervals♪Key signaturesKeys and tonalities♪The major scale and its stepsKeys and tonalities♪Natural, harmonic and melodic minorKeys and tonalities♪Rests and silence in musicRhythm and meter♪Rhythm and note valuesRhythm and meter♪Simple intervalsIntervals♪Time signatures: 2/4, 3/4, 4/4 and 6/8Rhythm and meter♪Triads and chord qualitiesChords♪Treble clef, bass clef and middle CNotation basics♪How to read the grand staffNotation basics♪Note names on the keyboardNotation basics
Level All BeginnerContinuingAdvanced
Beginner routeNotes→Rhythm→Keys→Intervals→Chords→Ear
This material is shown in EN.
CatalogKeys and tonalities

The major scale and its steps

Scale and key degrees
Scale and key degrees

The major scale and its steps

The major scale follows a sequence of whole and half steps. C major is a convenient starting point on the keyboard.

Formula

  • Whole–whole–half–whole–whole–whole–half.
  • Each degree has its own name.
  • The final note repeats the first one an octave higher.

Sources and licenses

  • Open Music Theory, Version 2 — Virtual Library of Virginia / contributing authorsCC BY-SA 4.0; adapted explanation with attribution
  • Theory Lessons — musictheory.netExternal reference; no text or images copied

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